Isolated Acts: Theatre in Aylums and Hospitals
Research NetworkProject Team:
Principal Investigator:
Dr Anna Harpin, University of Exeter
Research Network Members:
Dr Jehanine Austin, University of British Columbia
Dr Carina Bartleet, Oxford Brookes University
Professor Susan Cox, University of British Columbia
Professor Paul Crawford, University of Nottingham
Mr Mark Davis, High Royds Asylum Archive
Dr Bridget Escolme, Queen Mary University of London
Dr Juliet Foster, University of Cambridge
Mr David Granirer, Stand Up for Mental Health
Dr Alice Hall, University of York
Mr Steve Hennessy, Stepping Out Theatre Company
Mrs Dorinda Hulton, University of Exeter
Mr Liam Jarvis, Royal Holloway, University of London / Analogue Productions
Professor Ellen Kaplan, Smith University
Mr Chris Loveless, Stepping Out Theatre Company
Dr Rebecca Loukes, University of Exeter
Ms Julie McNamara, VitalXposure
Mr Keith Palmer, The Comedy School London
Professor Kay Redfield Jamison, The Johns Hopkins University
Dr Sarah Rudolph, Marathon, University of Wisconsin
Mr Richard Stern, Queen Mary, University of London
Mr Dylan Tighe, Freelance Theatre Artist
Ms Erin Walcon, University of Exeter
Dr Tiffany Watt-Smith, Queen Mary, University of London
Professor Carla Yanni, Rutgers University
Award Information:
This research network addresses the interrelationship between psychiatric care and performance practice. In its attention to different forms of knowledge, with respect to arts and mental health, the network supports the highlight’s concern to investigate interactions between sciences and humanities. This network is a timely and urgent investigation into the practice of theatre in controlled psychiatric environments. The network will investigate how and why theatre was used in mental health settings in the twentieth and twenty first centuries. It will explore the changes and developments in theatre practice within mental health care settings as care moved from asylums to community based contexts. By placing historical asylum experiences alongside the more contemporary political movement towards community spaces, the network will explore how notions of space, care, ideology, and medicine have interacted with the forms of theatre and performance work taking place at these sites. In short, this network is concerned to document the history of theatre in asylums and hospitals and to thereby rethink contemporary performance practice in this field.